heavy is the root of the dawn
October 2, 2021 - January 15, 2022

Project for Empty Space is pleased to announce the opening of Artist in Residence Nadia Liz Estela’s solo exhibition heavy is the root of the dawn. The show opened to the public on Saturday, October 2nd, 2021, from 2 - 5pm.

heavy is the root of the dawn is a body of work that explores the interstitial space of existence, also known as ‘rootlessness.’ The object-based pieces, comprised of large scale assemblage paintings, smaller works on paper, and a large scale embroidery, represents imagined spaces as well as spaces of consumption. 

Project for Empty Space Artist in Resident Nadia Liz Estela addresses and unpacks the complexity of these layerings in her solo exhibition heavy is the root of the dawn. A Dominican American, Estela scales from the micro of her own personal experience to the macro of the larger phenomenon of social constructionism, identity, labor, and the ‘immigrant,’ experience.

The entry point for the exhibition manifests in a series of panels and durational performances, which happen at dawn every Friday during the duration of the exhibition, Estela lives this labor and complexity by weaving an infinite tapestry of discarded shirt trails, an act that is informed by Estela’s mother's work as a seamstress in Newark garment factories. The performance is dually meditative and laborious. She says of the piece “ the laborious process that a seamstress endures in creating garments is akin to the same type constructive and arduous process that we go through to weave ourselves together as a whole of many parts.” 

In the large panels in the gallery, a myriad of lush fabrics and textures traverse the flat planes, enhancing the segregation of colors from one another. The crimson panel features a visceral spillage of blood-red velvet dipped in wax; a vibrant mesh blooms from the violet panel. The fabric adds texture to what, from a distance, appears to be flat. On closer inspection, however, the panels are far from smooth. These are veritable cartographies, covered in layers of wax and other detritus of a similar palate. In some paintings, small grotesqueries like beetles and cicadas are ensconced forever in a wax coffin. 

This topographic construction leads the work into the exploration of more macro, or universal, ideas around identity, colonialism, labor, and belonging. A  large-scale embroidered map of Newark, the city where Estela grew up. This map, gleaned from the Newark Historical Archives, depicts the city circa 1776, as it looked ‘during the revolution.’ This piece of local history introduces a series of questions based on what is included, or, perhaps more importantly, what is left out. By magnifying the map (originally scaled at 11 x 13 inches) nearly 100 fold, Estela amplifies the omissions and politicization of identity through mapping. Who or what is left out? What are the implications of this omission from a legacy standpoint? Where is the acknowledgment of labor, particularly the labor of Enslaved peoples and the presence of indigenous peoples? How does a simple historical document shape perceptions of history, of ourselves?

Nadia Estela’s work pushes you to consider the implications of flattened identities and to explode them into oblivion through meditative contemplation. heavy is the root of the dawn is on view at Project for Empty Space from October 2nd, 2021 through January 15, 2022.